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Date: Thursday, March 26, 2009 At 09:00 AM
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MASTER CLASSES
at the 23rd Annual Tennessee Williams/New Orleans Literary Festival NEVADA BARR. JOHN BERENDT. JOHN BIGUENET. KATHERINE BOUTON. RICK BRAGG. MARK DOTY. STEPHEN LOVELY. TOM PIAZZA. The Tennessee Williams/New Orleans Literary Festival opens with a series of Master Classes by leading authors, agents, and editors. Each session is 1 hour and 15 minutes with a lively give-and-take between audience and instructors. Authors will sign books. Classes may be taken individually for $25 or as a full series of eight for $175. The series fee also includes a Festival Panel Pass. Presented in cooperation with The Historic New Orleans Collection and sponsored by Southeastern Louisiana University. Thursday, March 26, 2009 9 A.M. - JOHN BIGUENET: FROM PAGE TO STAGE In this genre-hoping Master Class, award-winning fiction writer and playwright John Biguenet will discuss the differences in telling a story on the page versus on the stage. Examining versions of a ghost tale that first appeared in one of his short stories and then in his play Rising Water, Biguenet will lead participants in an analysis of the contrasting techniques of setting, character, dialogue, and plot in fiction and in theater. He’ll also explain why he considers it more fun—though sometimes more frustrating—to write a play than a novel. 11 A.M. - NEVADA BARR: UNRAVELING THE MYSTERY OF SETTING Setting can be almost as important to a mystery novel as the plot itself. Would Raymond Chandler's novels have worked as well set somewhere other than the sun-drenched palm-lined avenues of Los Angeles? New York Times best-selling mystery novelist Nevada Barr sets her Anna Pigeon series in our national parks, providing a backdrop of untouched beauty and natural wildness to construct her plots around. Join Barr as she discusses the importance of setting to her work, and provides tips on creating a sense place for the novice mystery writer. 1:30 P.M. - TOM PIAZZA: BUT IS IT FICTION? Pablo Picasso once remarked that art is the lie that tells the truth. The lines between fiction and nonfiction have been blurring for as long as there have been words for the two genres. Is it possible to find a reliable dividing line? Tom Piazza, author of the novel City of Refuge and the nonfiction book Why New Orleans Matters, has worked extensively in both genres. In this wide-ranging class he will explore the elements that make stories believable, those that make them factual, and those that make them true. 3:30 P.M. - STEPHEN LOVELY: MARATHON TRAINING FOR THE FICTION WRITER—CONDITIONING YOUR MIND AND BODY TO GO THE DISTANCE There are numerous workshops designed to help budding writers focus on character development, plot, and structure. But what about the character of you, the writer? How will you plot and structure your own writing life? What kind of pace will you set? What point of view should you adopt toward fellow writers? Toward other books? Toward the publishing world? First-time novelist Stephen Lovely sheds light on a too-often neglected aspect of writing—the mental and physical health of the writer—with the goal of warding off those chronic afflictions to which novice novelists are particularly susceptible: self-doubt, envy, impatience, and angst. Friday, March 27, 2009 9 A.M. - KATHERINE BOUTON: THE JOURNALISTIC APPROACH An editor for The New York Times and instructor at The Writer's Workshop, a program run by the CUNY Graduate Center, Katherine Bouton offers a wealth of knowledge about the vast world of magazine writing. Bouton will discuss and answer questions on all aspects of the craft, including the difference between writing for magazines and writing for newspapers, how to structure a “pitch,” and the booming online freelance industry. Both veteran journalists and those who have never so much as verified a quote will benefit from her advice on one of the most accessible and lucrative writing markets out there. 11 A.M. - MARK DOTY: THE BUILDING BLOCKS OF POEMS The word poetry is derived from the Greek word meaning “to make.” In this class, Mark Doty, winner of the 2008 National Book Award for Poetry for Fire to Fire: New and Selected Poems, will discuss the craft of using words to make poems. Doty, who is also the author of four lauded works of nonfiction and seven other notable poetry collections, including School of the Arts and My Alexandria, will talk about how he uses such tools as diction, musicality, and imagery as he builds poems brick by brick and word by word. 1:30 P.M. - JOHN BERENDT: CAPTURING THE CHARACTER OF PLACE John Berendt, the acclaimed author of Midnight in the Garden of Good and Evil and The City of Fallen Angels, will discuss how, for many writers, the element of place can be as important as character and plot. In his own books, for example, the Pulitzer Prize finalist uses such settings as the hothouse atmosphere of Savannah and the hauntingly mysterious Venice to lend shape to the eccentric characters he writes about and to give special meaning to their antics. 3:30 P.M. - RICK BRAGG: WHAT IF YOUR MAMA SEES IT? THE PLEASURES AND PERILS OF WRITING MEMOIR The Pulitzer Prize-winning journalist and author of All Over But the Shoutin’, Ava’s Man and The Prince of Frogtown will discuss the often heart-rending process of writing memoir. As a journalist and author of three family memoirs, Bragg’s gift is his ability to pull the picture of the story from the details it provides. He imbues his writing with an honesty and clarity that reveals the best parts of what is human; that is, the wrongs most wounding and the acts of grace that transport us to a better self. In this talk, Bragg will offer insights about how to “write lines that are too pretty” and temper them with solid reporting of facts and events. The Master Classes will be held at The Historic New Orleans Collection, 533 Royal St., New Orleans. Individual classes are $25; the full series of eight is $175. For more information, call 1-800-990-3378 (FEST), or visit www.tennesseewilliams.net for regular updates, an online Festival program book, ticketing, and information on how to become a “Friend of Tennessee.” |
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